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  1. Winning Losing Won Lost Watching Available in aftersale  
    E33, Lot 47:

    Classic Greece. Robert Ready British Museum electrotype--copy of coin in the BM. Lucania, Velia. Circa 334-330 B.C. Silver nomos copy. 21 mm. Helmeted head of Athena left / A lion standing left, head down, feeding on a ram's head. Not listed in Head. Perfect copy of an extraordinary fine style ancient Greek coin residing in the British Museum.

     

    An in-hand experience of the finest of Greek coinage

    Robert Ready British Museum Electrotypes

     

    Invented in 1838, electrotyping involves coating a mold of the coin being duplicated in a conductive material, graphite, then connecting it to a wire and running a current through it while suspending it in an electrolyte solution along with a copper anode. The copper dissolves from the surface of the anode and is deposited on the conductive graphite. The final result is a uniface replica of one side of a coin, which was sometimes then joined to a copy of the other side and the edges smoothed to create a more accurate replica. The copper shell was also often gilt to represent silver or gold coins more accurately.

     

    Electrotypes were widely produced by Robert Ready and his sons for sale by the British Museum between 1859 and 1931, using examples from the Museum’s collection. Electrotypes were a popular display and educational product that, while convincing, are usually fairly straightforward to distinguish from the actual pieces by examining the edge for a seam, comparing the weight to an actual piece, or by a stamp of RR, R, or MB on the edge (which stand for Robert Ready, one of his sons, or the Latin name for the British Museum respectively). The examples offered here have not been joined and are still in two separate pieces, obverse and reverse, with the Barclay Head reference number written in marker on the inside of each piece. They fit together perfectly, if you would prefer that they be united we can suggest a product that we believe works well. The examples we have sold in the past seemed to have been held together by something that was a bit granular (and a bit fragile after a century plus), possibly plaster of paris.

     

    The best of the British Museum coins were published and finely photographed in a 19th century classic reference by the scholar Barclay Head, A Guide to the Principal Coins of the Greeks. Subsequent (and little changed) British Museum editions of that historic book can still be found for very reasonable prices. The numbering of the medals is taken from that reference.

  2. Winning Losing Won Lost Watching Available in aftersale  
  3. Winning Losing Won Lost Watching Available in aftersale  
    Paduan
    E33, Lot 60:

    Nero. A.D. 54-68. Æ cast “sestertius." 22.97 gm. 35 mm. Paduan type. Early cast. His laureate head right, globe at point of bust; NERO CLAVD CAESAR AVG GER P M TR P IMP P P / Nero on horseback right, carrying spear, horseman behind holding standard; DECVRSIO S C. Klawans 3. Near Extremely Fine; handsome red patina; some light underlying corrosion. Particularly fine example.

    "Paduan" medals are so named after Giovanni da Cavino of Padua (1500-1570), who during his lifetime produced high quality dies to strike imitations and fantasy versions of Roman coins. The dies were passed down through Cavino's family until being purchased by the antiquary to the king of France in the 17th century, 100 years after Cavino's death. It is quite likely that the dies were used in the years between Cavino's death and their sale, and many copies were also cast based on struck originals. Casts were also created using existing casts, these 'aftercasts' generally decrease in quality and fidelity the further removed they become from the original struck examples.

    Whether or not they were made as intentional counterfeits is not conclusive (many scholars argue no). Various examples found their way into serious collections over time, but Zander Klawans's 1977 reference (and the many preceding works by Lawrence and others) mean that they are now rarely mistaken for real examples. Unlike many non-contemporary counterfeits Paduans are historic and collectible in their own right.

  4. Winning Losing Won Lost Watching Available in aftersale  
    Paduan
    E33, Lot 61:

    Galba. A.D. 68-69. Æ cast “sestertius." 23.48 gm. 33 mm. Paduan type or imitation. Aftercast. His laureate and draped bust right; SER GALBA IMP CAES AVG / The emperor standing right on low platform, addressing four soldiers holding standards; officer standing behind emperor; S C to either side, ADLOCVTIO in exergue. Cf. Klawans 2-3 (different dies, obverse legend). Reverse copied from a genuine die (cf. RIC I 462-465).

    "Paduan" medals are so named after Giovanni da Cavino of Padua (1500-1570), who during his lifetime produced high quality dies to strike imitations and fantasy versions of Roman coins. The dies were passed down through Cavino's family until being purchased by the antiquary to the king of France in the 17th century, 100 years after Cavino's death. It is quite likely that the dies were used in the years between Cavino's death and their sale, and many copies were also cast based on struck originals. Casts were also created using existing casts, these 'aftercasts' generally decrease in quality and fidelity the further removed they become from the original struck examples.

    Whether or not they were made as intentional counterfeits is not conclusive (many scholars argue no). Various examples found their way into serious collections over time, but Zander Klawans's 1977 reference (and the many preceding works by Lawrence and others) mean that they are now rarely mistaken for real examples. Unlike many non-contemporary counterfeits Paduans are historic and collectible in their own right.

  5. Winning Losing Won Lost Watching Available in aftersale  
    Paduan
    E33, Lot 62:

    Galba. A.D. 68-69. Æ cast “sestertius." 18.8 gm. 33 mm. Paduan type. Aftercast. His laureate and draped bust right; IMP SER SVLP GALBA CAES AVG TR POT / The emperor standing left on low platform, addressing five soldiers holding standards; ADLOCVT S C. Klawans 3 (obverse die), 4 (reverse die). Good Very Fine; pleasing brown patina. There are no genuine coins of this type.

    "Paduan" medals are so named after Giovanni da Cavino of Padua (1500-1570), who during his lifetime produced high quality dies to strike imitations and fantasy versions of Roman coins. The dies were passed down through Cavino's family until being purchased by the antiquary to the king of France in the 17th century, 100 years after Cavino's death. It is quite likely that the dies were used in the years between Cavino's death and their sale, and many copies were also cast based on struck originals. Casts were also created using existing casts, these 'aftercasts' generally decrease in quality and fidelity the further removed they become from the original struck examples.

    Whether or not they were made as intentional counterfeits is not conclusive (many scholars argue no). Various examples found their way into serious collections over time, but Zander Klawans's 1977 reference (and the many preceding works by Lawrence and others) mean that they are now rarely mistaken for real examples. Unlike many non-contemporary counterfeits Paduans are historic and collectible in their own right.

  6. Winning Losing Won Lost Watching Available in aftersale  
    Paduan
    E33, Lot 63:

    Otho. A.D. 69. Æ cast “sestertius." 28.75 gm. 38 mm. Paduan type. His bare head right; IMP M OTHO CAESAR AVG TR P / Bust of Albia Terentia, mother of Otho, right; ALBIA TERENTIA L SILVII IMP MATER. Klawans 7. Good Fine; cast within a broader frame; some damage, repaired with dark green lacquer-like material (particularly on reverse bust). Seemingly quite rare. The only example the cataloger found at auction was the one pictured in Klawans, which has a much broader frame. There are no genuine coins of this type.

    "Paduan" medals are so named after Giovanni da Cavino of Padua (1500-1570), who during his lifetime produced high quality dies to strike imitations and fantasy versions of Roman coins. The dies were passed down through Cavino's family until being purchased by the antiquary to the king of France in the 17th century, 100 years after Cavino's death. It is quite likely that the dies were used in the years between Cavino's death and their sale, and many copies were also cast based on struck originals. Casts were also created using existing casts, these 'aftercasts' generally decrease in quality and fidelity the further removed they become from the original struck examples.

    Whether or not they were made as intentional counterfeits is not conclusive (many scholars argue no). Various examples found their way into serious collections over time, but Zander Klawans's 1977 reference (and the many preceding works by Lawrence and others) mean that they are now rarely mistaken for real examples. Unlike many non-contemporary counterfeits Paduans are historic and collectible in their own right.

  7. Winning Losing Won Lost Watching Available in aftersale  
  8. Winning Losing Won Lost Watching Available in aftersale  
    A38, Lot 61:

    MACEDON. Koinon of Macedon. Pseudo-autonomous issue, temp. Severus Alexander. A.D. 222-235. Æ. 12.27 gm. 27 mm. Beroea mint. Diademed head of Alexander the Great right; ΑΛΕΞΑΝΔΡΟΥ / Macedonia seated left on throne with back, holding Kabeiros; ΚΟΙΝΟΝ ΜΑΚΕΔΟΝΩΝ ΟΜΟΝΟΙ-Α around. AMNG III 333 var. (helmeted head on obverse). Very Fine; fine green patina; attractive, with a great portrait of Alexander. Rare variation, unpublished in Gaebler.

    The Koinon of the Macedonians was a confederation of Macedonian cities under a central government or king (or, under Roman rule, the Roman emperor). Rooted in the Hellenistic period, this central administration handled diplomatic issues both between member city-states and with foreign bodies. Coins issued in the name of the 'Macedonians' first appear during the reigns of Philip V and Perseus, and continued to appear under Roman rule. The Romans reorganized the Koinon around the imperial cult and put members of the local elite in charge. They organized and financed festivals and games, and were awarded Roman citizenship in return. The iconography of the Koinon issues (Alexander the Great, the Macedonian shield, and so on) reflect a powerful ethnic and civic identity that, as it was no longer a threat to Roman control, was allowed to flourish. (Howgego, Christopher; Heuchert, Volker; Burnett, Andrew, Coinage and Identity in the Roman Provinces. 2005.)

  9. Winning Losing Won Lost Watching Available in aftersale  
    A38, Lot 62:

    MACEDON. Koinon of Macedon. Pseudo-autonomous issue, temp. Gordian III. A.D. 238-244. Æ. 11.95 gm. 25 mm. Beroea mint. Diademed head of Alexander the Great right; AΛEΞANΔPOC / Two prize urns, each containing palm frond, set upon agonistic table with decorated legs; urn set on ground under table; KOI MAKEΔONΩN B N EΩKO around. AMNG 461. Good Very Fine; well centered and well struck; pleasing green patina; bold attractive portrait of Alexander. Unusual and rare obverse inscription for this series.

    This coin commemorates the games held in Beroea that honored Alexander and had Olympic status, and is an important type.

    The Koinon of the Macedonians was a confederation of Macedonian cities under a central government or king (or, under Roman rule, the Roman emperor). Rooted in the Hellenistic period, this central administration handled diplomatic issues both between member city-states and with foreign bodies. Coins issued in the name of the 'Macedonians' first appear during the reigns of Philip V and Perseus, and continued to appear under Roman rule. The Romans reorganized the Koinon around the imperial cult and put members of the local elite in charge. They organized and financed festivals and games, and were awarded Roman citizenship in return. The iconography of the Koinon issues (Alexander the Great, the Macedonian shield, and so on) reflect a powerful ethnic and civic identity that, as it was no longer a threat to Roman control, was allowed to flourish. (Howgego, Christopher; Heuchert, Volker; Burnett, Andrew, Coinage and Identity in the Roman Provinces. 2005.)

  10. Winning Losing Won Lost Watching Available in aftersale  
  11. Winning Losing Won Lost Watching Available in aftersale  
    A38, Lot 64:

    MACEDON. Koinon of Macedon. Pseudo-autonomous issue, temp. Gordian III. A.D. 238-244. Æ. 13.57 gm. 25 mm. Beroea mint. Dated year 275 (A.D. 244). Head of Alexander the Great right, wearing crested Attic helmet with griffin on bowl; AΛEΞANΔPOY / Alexander the Great on horseback right, brandishing spear; EOC (date) below, KOINON MAKEΔONΩN B NEΩKOP. AMNG 850. Good Very Fine; dark green and brown patina.

    Bucephalus or Bucephalas ("ox-head") was the horse of Alexander the Great, and one of the most famous horses of antiquity. Ancient accounts state that Bucephalus died after the Battle of the Hydaspes in 326 BC, in what is now modern Punjab Province of Pakistan, and is buried in Jalalpur Sharif outside Jhelum, Punjab, Pakistan.

    The Koinon of the Macedonians was a confederation of Macedonian cities under a central government or king (or, under Roman rule, the Roman emperor). Rooted in the Hellenistic period, this central administration handled diplomatic issues both between member city-states and with foreign bodies. Coins issued in the name of the 'Macedonians' first appear during the reigns of Philip V and Perseus, and continued to appear under Roman rule. The Romans reorganized the Koinon around the imperial cult and put members of the local elite in charge. They organized and financed festivals and games, and were awarded Roman citizenship in return. The iconography of the Koinon issues (Alexander the Great, the Macedonian shield, and so on) reflect a powerful ethnic and civic identity that, as it was no longer a threat to Roman control, was allowed to flourish. (Howgego, Christopher; Heuchert, Volker; Burnett, Andrew, Coinage and Identity in the Roman Provinces. 2005.)

  12. Winning Losing Won Lost Watching Available in aftersale  
    A38, Lot 65:

    MACEDON. Koinon of Macedon. Pseudo-autonomous issue, temp. Gordian III. A.D. 238-244. Æ. 14.1 gm. 26 mm. Beroea mint. Dated year 275 (A.D. 244). Head of Alexander the Great right, wearing crested Attic helmet with griffin on bowl; AΛEΞANΔPOY / Lion advancing right; above, club to left and EOC (date); KOINON MAKEΔONΩN B NEΩK. AMNG 852. Good Very Fine; dark green patina.

    The Koinon of the Macedonians was a confederation of Macedonian cities under a central government or king (or, under Roman rule, the Roman emperor). Rooted in the Hellenistic period, this central administration handled diplomatic issues both between member city-states and with foreign bodies. Coins issued in the name of the 'Macedonians' first appear during the reigns of Philip V and Perseus, and continued to appear under Roman rule. The Romans reorganized the Koinon around the imperial cult and put members of the local elite in charge. They organized and financed festivals and games, and were awarded Roman citizenship in return. The iconography of the Koinon issues (Alexander the Great, the Macedonian shield, and so on) reflect a powerful ethnic and civic identity that, as it was no longer a threat to Roman control, was allowed to flourish. (Howgego, Christopher; Heuchert, Volker; Burnett, Andrew, Coinage and Identity in the Roman Provinces. 2005.)

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