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  1. Winning Losing Won Lost Watching Available in aftersale  
  2. Winning Losing Won Lost Watching Available in aftersale  
  3. Winning Losing Won Lost Watching Available in aftersale  
    Paduan
    E33, Lot 60:

    Nero. A.D. 54-68. Æ cast “sestertius." 22.97 gm. 35 mm. Paduan type. Early cast. His laureate head right, globe at point of bust; NERO CLAVD CAESAR AVG GER P M TR P IMP P P / Nero on horseback right, carrying spear, horseman behind holding standard; DECVRSIO S C. Klawans 3. Near Extremely Fine; handsome red patina; some light underlying corrosion. Particularly fine example.

    "Paduan" medals are so named after Giovanni da Cavino of Padua (1500-1570), who during his lifetime produced high quality dies to strike imitations and fantasy versions of Roman coins. The dies were passed down through Cavino's family until being purchased by the antiquary to the king of France in the 17th century, 100 years after Cavino's death. It is quite likely that the dies were used in the years between Cavino's death and their sale, and many copies were also cast based on struck originals. Casts were also created using existing casts, these 'aftercasts' generally decrease in quality and fidelity the further removed they become from the original struck examples.

    Whether or not they were made as intentional counterfeits is not conclusive (many scholars argue no). Various examples found their way into serious collections over time, but Zander Klawans's 1977 reference (and the many preceding works by Lawrence and others) mean that they are now rarely mistaken for real examples. Unlike many non-contemporary counterfeits Paduans are historic and collectible in their own right.

  4. Winning Losing Won Lost Watching Available in aftersale  
    Paduan
    E33, Lot 61:

    Galba. A.D. 68-69. Æ cast “sestertius." 23.48 gm. 33 mm. Paduan type or imitation. Aftercast. His laureate and draped bust right; SER GALBA IMP CAES AVG / The emperor standing right on low platform, addressing four soldiers holding standards; officer standing behind emperor; S C to either side, ADLOCVTIO in exergue. Cf. Klawans 2-3 (different dies, obverse legend). Reverse copied from a genuine die (cf. RIC I 462-465).

    "Paduan" medals are so named after Giovanni da Cavino of Padua (1500-1570), who during his lifetime produced high quality dies to strike imitations and fantasy versions of Roman coins. The dies were passed down through Cavino's family until being purchased by the antiquary to the king of France in the 17th century, 100 years after Cavino's death. It is quite likely that the dies were used in the years between Cavino's death and their sale, and many copies were also cast based on struck originals. Casts were also created using existing casts, these 'aftercasts' generally decrease in quality and fidelity the further removed they become from the original struck examples.

    Whether or not they were made as intentional counterfeits is not conclusive (many scholars argue no). Various examples found their way into serious collections over time, but Zander Klawans's 1977 reference (and the many preceding works by Lawrence and others) mean that they are now rarely mistaken for real examples. Unlike many non-contemporary counterfeits Paduans are historic and collectible in their own right.

  5. Winning Losing Won Lost Watching Available in aftersale  
    Paduan
    E33, Lot 62:

    Galba. A.D. 68-69. Æ cast “sestertius." 18.8 gm. 33 mm. Paduan type. Aftercast. His laureate and draped bust right; IMP SER SVLP GALBA CAES AVG TR POT / The emperor standing left on low platform, addressing five soldiers holding standards; ADLOCVT S C. Klawans 3 (obverse die), 4 (reverse die). Good Very Fine; pleasing brown patina. There are no genuine coins of this type.

    "Paduan" medals are so named after Giovanni da Cavino of Padua (1500-1570), who during his lifetime produced high quality dies to strike imitations and fantasy versions of Roman coins. The dies were passed down through Cavino's family until being purchased by the antiquary to the king of France in the 17th century, 100 years after Cavino's death. It is quite likely that the dies were used in the years between Cavino's death and their sale, and many copies were also cast based on struck originals. Casts were also created using existing casts, these 'aftercasts' generally decrease in quality and fidelity the further removed they become from the original struck examples.

    Whether or not they were made as intentional counterfeits is not conclusive (many scholars argue no). Various examples found their way into serious collections over time, but Zander Klawans's 1977 reference (and the many preceding works by Lawrence and others) mean that they are now rarely mistaken for real examples. Unlike many non-contemporary counterfeits Paduans are historic and collectible in their own right.

  6. Winning Losing Won Lost Watching Available in aftersale  
    Paduan
    E33, Lot 63:

    Otho. A.D. 69. Æ cast “sestertius." 28.75 gm. 38 mm. Paduan type. His bare head right; IMP M OTHO CAESAR AVG TR P / Bust of Albia Terentia, mother of Otho, right; ALBIA TERENTIA L SILVII IMP MATER. Klawans 7. Good Fine; cast within a broader frame; some damage, repaired with dark green lacquer-like material (particularly on reverse bust). Seemingly quite rare. The only example the cataloger found at auction was the one pictured in Klawans, which has a much broader frame. There are no genuine coins of this type.

    "Paduan" medals are so named after Giovanni da Cavino of Padua (1500-1570), who during his lifetime produced high quality dies to strike imitations and fantasy versions of Roman coins. The dies were passed down through Cavino's family until being purchased by the antiquary to the king of France in the 17th century, 100 years after Cavino's death. It is quite likely that the dies were used in the years between Cavino's death and their sale, and many copies were also cast based on struck originals. Casts were also created using existing casts, these 'aftercasts' generally decrease in quality and fidelity the further removed they become from the original struck examples.

    Whether or not they were made as intentional counterfeits is not conclusive (many scholars argue no). Various examples found their way into serious collections over time, but Zander Klawans's 1977 reference (and the many preceding works by Lawrence and others) mean that they are now rarely mistaken for real examples. Unlike many non-contemporary counterfeits Paduans are historic and collectible in their own right.

  7. Winning Losing Won Lost Watching Available in aftersale  
    E37, Lot 55:

    In the name of Drusus Julius Caesar, son of Tiberius. Tiberius & Germanicus Gemellus. A.D. 19-37/8 and 19-23/4, respectively. Æ sestertius. 26.27 gm. 34 mm. Rome mint. Struck under Tiberius, A.D. 22-23. Confronting heads of Drusus's twin sons on crossed cornucopiae, winged caduceus between / DRVSVS CAESAR TI AVG F DIVI AVG N PONT TR POT II around large S C. RIC I 42 (Tiberius). Near Very Fine; glossy dark green patina; minor scattered roughness; scattered breaks in the patina mostly on the edges with corrosion; a bit of verdigris on the reverse at 12'; collector's number "28" written in ink on reverse. Rare.

    This collection of early Roman Imperial bronze was formed by an American collector in the Midwest, buying coins in the 1950's from major London coin houses. He affixed collector 'H' numbers written in ink on lacquer on many of the coins. We have correspondence dated in 1950 and 1951 with Leonard Forrer at Spink & Son, Ltd. and William French at Glendining & Co. Ltd. in London, as well as Earle K. Stanton in Los Angeles, Paul S. Seitz in Pennsylvania, and Edward Gans, Numismatic Fine Arts in New York City.

    Rare, with a fascinating but tragic story. The 'Tiberian dynasty' collapsed within months. Both Drusus and his son Germanicus Gemellus (the boy on the right cornucopia) died in A.D. 23. Drusus' wife Livilla became involved with Tiberius' prefect Sejanus, who induced her to poison her husband. She died shamefully in the aftermath of Sejanus's downfall in A.D. 31. The second grandson, Tiberius Gemellus, named co-heir of Tiberius with Caligula, was sidelined after Tiberius' death and then executed by Caligula, who would not tolerate a second heir to the throne.

  8. Winning Losing Won Lost Watching Available in aftersale  

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