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  1. Winning Losing Won Lost Watching Available in aftersale  

    Standard Catalog plate coin

    A43, Lot 20:

    SCOTLAND. Standard Catalog plate coin. James VI. 1567-1625. AV "hat piece" (80 shillings or £4). 4.47 gm. 28 mm. Sixth Coinage. (Mullet i.m.). 1592. His bust right, wearing a tall hat, thistle behind; • IACOBVS • 6 • D • G • R • SCOTORVM • / A crowned lion standing, holding a scepter, a cloud above with יהוה ('Jehova') just above; • TE • SOLVM VEREOR • 1592 • ("Thee alone do I fear"). S. 5457 (this piece illustrated). Burns II: 394:1; pl lxix:952). Near Extremely Fine; very slight scratches on reverse, (fewer than on either of the two pieces sold for substantially more than this estimate in 2021). The "Act of Parliament 6th August 1591" authorized this issue.

    The Leland Scott Collection.

    Ex LaRiviere. Spink. 29 March 2006, lot 151 (just under the equivalent of US$20,000 all in). With his distinctive envelope. ("Very faint scratches in reverse field, a well struck example of this popular and distinctive portrait coin, good very fine, very rare")

    Ex Spink 81. November 1990. (61. "Pleasing good very fine and very rare")

    Ex Cochran-Patrick. Sothebys. 1949.

    Two recent sales of this type in 2021, none since:

    •"AU50", minor edge split, minor hairlines" ($34,000) Photo shows extensive light hairlines in fields, a deeper scratch to the left of the lion on the reverse, some form of deposit in the "R" of SCOTORVM on the obverse

    •"AU55", photo shows bend in front of collar, a scratch extending from the mouth to the inner circle, a bend an a crease mark on the reverse, poor strike at the eye on the obverse. When Spink sold it in March 1997 they called it "a little creased." ($75,000)

  2. Winning Losing Won Lost Watching Available in aftersale  
  3. Winning Losing Won Lost Watching Available in aftersale  
    Paduan
    E33, Lot 60:

    Nero. A.D. 54-68. Æ cast “sestertius." 22.97 gm. 35 mm. Paduan type. Early cast. His laureate head right, globe at point of bust; NERO CLAVD CAESAR AVG GER P M TR P IMP P P / Nero on horseback right, carrying spear, horseman behind holding standard; DECVRSIO S C. Klawans 3. Near Extremely Fine; handsome red patina; some light underlying corrosion. Particularly fine example.

    "Paduan" medals are so named after Giovanni da Cavino of Padua (1500-1570), who during his lifetime produced high quality dies to strike imitations and fantasy versions of Roman coins. The dies were passed down through Cavino's family until being purchased by the antiquary to the king of France in the 17th century, 100 years after Cavino's death. It is quite likely that the dies were used in the years between Cavino's death and their sale, and many copies were also cast based on struck originals. Casts were also created using existing casts, these 'aftercasts' generally decrease in quality and fidelity the further removed they become from the original struck examples.

    Whether or not they were made as intentional counterfeits is not conclusive (many scholars argue no). Various examples found their way into serious collections over time, but Zander Klawans's 1977 reference (and the many preceding works by Lawrence and others) mean that they are now rarely mistaken for real examples. Unlike many non-contemporary counterfeits Paduans are historic and collectible in their own right.

  4. Winning Losing Won Lost Watching Available in aftersale  
    Paduan
    E33, Lot 61:

    Galba. A.D. 68-69. Æ cast “sestertius." 23.48 gm. 33 mm. Paduan type or imitation. Aftercast. His laureate and draped bust right; SER GALBA IMP CAES AVG / The emperor standing right on low platform, addressing four soldiers holding standards; officer standing behind emperor; S C to either side, ADLOCVTIO in exergue. Cf. Klawans 2-3 (different dies, obverse legend). Reverse copied from a genuine die (cf. RIC I 462-465).

    "Paduan" medals are so named after Giovanni da Cavino of Padua (1500-1570), who during his lifetime produced high quality dies to strike imitations and fantasy versions of Roman coins. The dies were passed down through Cavino's family until being purchased by the antiquary to the king of France in the 17th century, 100 years after Cavino's death. It is quite likely that the dies were used in the years between Cavino's death and their sale, and many copies were also cast based on struck originals. Casts were also created using existing casts, these 'aftercasts' generally decrease in quality and fidelity the further removed they become from the original struck examples.

    Whether or not they were made as intentional counterfeits is not conclusive (many scholars argue no). Various examples found their way into serious collections over time, but Zander Klawans's 1977 reference (and the many preceding works by Lawrence and others) mean that they are now rarely mistaken for real examples. Unlike many non-contemporary counterfeits Paduans are historic and collectible in their own right.

  5. Winning Losing Won Lost Watching Available in aftersale  
    Paduan
    E33, Lot 62:

    Galba. A.D. 68-69. Æ cast “sestertius." 18.8 gm. 33 mm. Paduan type. Aftercast. His laureate and draped bust right; IMP SER SVLP GALBA CAES AVG TR POT / The emperor standing left on low platform, addressing five soldiers holding standards; ADLOCVT S C. Klawans 3 (obverse die), 4 (reverse die). Good Very Fine; pleasing brown patina. There are no genuine coins of this type.

    "Paduan" medals are so named after Giovanni da Cavino of Padua (1500-1570), who during his lifetime produced high quality dies to strike imitations and fantasy versions of Roman coins. The dies were passed down through Cavino's family until being purchased by the antiquary to the king of France in the 17th century, 100 years after Cavino's death. It is quite likely that the dies were used in the years between Cavino's death and their sale, and many copies were also cast based on struck originals. Casts were also created using existing casts, these 'aftercasts' generally decrease in quality and fidelity the further removed they become from the original struck examples.

    Whether or not they were made as intentional counterfeits is not conclusive (many scholars argue no). Various examples found their way into serious collections over time, but Zander Klawans's 1977 reference (and the many preceding works by Lawrence and others) mean that they are now rarely mistaken for real examples. Unlike many non-contemporary counterfeits Paduans are historic and collectible in their own right.

  6. Winning Losing Won Lost Watching Available in aftersale  
    Paduan
    E33, Lot 63:

    Otho. A.D. 69. Æ cast “sestertius." 28.75 gm. 38 mm. Paduan type. His bare head right; IMP M OTHO CAESAR AVG TR P / Bust of Albia Terentia, mother of Otho, right; ALBIA TERENTIA L SILVII IMP MATER. Klawans 7. Good Fine; cast within a broader frame; some damage, repaired with dark green lacquer-like material (particularly on reverse bust). Seemingly quite rare. The only example the cataloger found at auction was the one pictured in Klawans, which has a much broader frame. There are no genuine coins of this type.

    "Paduan" medals are so named after Giovanni da Cavino of Padua (1500-1570), who during his lifetime produced high quality dies to strike imitations and fantasy versions of Roman coins. The dies were passed down through Cavino's family until being purchased by the antiquary to the king of France in the 17th century, 100 years after Cavino's death. It is quite likely that the dies were used in the years between Cavino's death and their sale, and many copies were also cast based on struck originals. Casts were also created using existing casts, these 'aftercasts' generally decrease in quality and fidelity the further removed they become from the original struck examples.

    Whether or not they were made as intentional counterfeits is not conclusive (many scholars argue no). Various examples found their way into serious collections over time, but Zander Klawans's 1977 reference (and the many preceding works by Lawrence and others) mean that they are now rarely mistaken for real examples. Unlike many non-contemporary counterfeits Paduans are historic and collectible in their own right.

  7. Winning Losing Won Lost Watching Available in aftersale  
    Lifetime issue – Extremely Rare
    A43, Lot 222:

    SCOTLAND. David I. 1124-1153. AR penny (lifetime issue). 1.2 gm. 22 mm. Burns Class 2. SSC, Period C: "later civil war years to 1153 and David's death" Crowned bust right, the top of the crown with three fleurs, a scepter to right also with a fleur on top [+DAV]IT RE[X] / Cross fleury, a single pellet in each angle (the pellets distinguish this piece from coins of Henry, Earl of Northumberland and Huntingdon). S. 5007 var. Cf. Burns, Plate I: 9ff . Cf also the images in Lindsay (1845 engraving, line drawing): Pl. 1:9ff. Plate 1:5ff in Wingate(1868). Extremely Fine; fresh surfaces, substantial portrait with crown details, parts of the lettering apparent; Substantial amount of portrait clear; top edge chip; extremely rare.

    The Leland Scott Collection. Ex Davisson (2014) (Acquired from an advanced American collector in 2013 with notation that it came from James Herbert Daniels, 1864-1936).

    Reflecting the Anarchy and the civil war in England, this piece is one of the early issues Burns describes, among other terms, as "blundered." The same is true of the line drawing images in two major 19th century references on Scottish coins, Lindsay and Wingate. Burns refers to these in his discussion of the beginning of Scottish coins assigning some of them to Roxburgh. Cochran-Patrick in Records of the Coinage of Scotland (1876) places this type just before David I. The Spink, Coins of Scotland… reference provides a four-date timeline for David I pennies that places this issue as late lifetime. The design is very similar to the issue for Prince Henry, Earl of Northumberland (1139-1152), S. 5012.

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