Printed Auction 43

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Closed March 20, 2024
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  1. Winning Losing Won Lost Watching Available in aftersale  

    Standard Catalog plate coin

    A43, Lot 20:

    SCOTLAND. Standard Catalog plate coin. James VI. 1567-1625. AV "hat piece" (80 shillings or £4). 4.47 gm. 28 mm. Sixth Coinage. (Mullet i.m.). 1592. His bust right, wearing a tall hat, thistle behind; • IACOBVS • 6 • D • G • R • SCOTORVM • / A crowned lion standing, holding a scepter, a cloud above with יהוה ('Jehova') just above; • TE • SOLVM VEREOR • 1592 • ("Thee alone do I fear"). S. 5457 (this piece illustrated). Burns II: 394:1; pl lxix:952). Near Extremely Fine; very slight scratches on reverse, (fewer than on either of the two pieces sold for substantially more than this estimate in 2021). The "Act of Parliament 6th August 1591" authorized this issue.

    The Leland Scott Collection.

    Ex LaRiviere. Spink. 29 March 2006, lot 151 (just under the equivalent of US$20,000 all in). With his distinctive envelope. ("Very faint scratches in reverse field, a well struck example of this popular and distinctive portrait coin, good very fine, very rare")

    Ex Spink 81. November 1990. (61. "Pleasing good very fine and very rare")

    Ex Cochran-Patrick. Sothebys. 30 March 1936, lot 71.

    Two recent sales of this type in 2021, none since:

    •"AU50", minor edge split, minor hairlines" ($34,000) Photo shows extensive light hairlines in fields, a deeper scratch to the left of the lion on the reverse, some form of deposit in the "R" of SCOTORVM on the obverse

    •"AU55", photo shows bend in front of collar, a scratch extending from the mouth to the inner circle, a bend an a crease mark on the reverse, poor strike at the eye on the obverse. When Spink sold it in March 1997 they called it "a little creased." ($75,000)

  2. Winning Losing Won Lost Watching Available in aftersale  
    A43, Lot 170:

    Electrotype of English hammered coinage. Eanbald II (Archbishops of York). 796-808. Penny electrotype (double-thick). 13.5 mm. BMC Type xv. Chester (Leigeceaster) mint; (Ælfsig? as per BMC). Central pellet surrounded by a circle of pellets; +EANBALD ARE around / Central pellet surrounded by a circle of pellets; EADVVLF. S. 868. (Seaby/Spink Standard Catalog plate coin, 1962 to 2007) (SSC 1-15:429. SSC 16-41:868.) BMC 1887. Eanbald II: 688 (Page 190. Not plated). As made.

     

    Electrotypes of Anglo-Saxon coins in the British Museum

    Many used for the Standard Catalog prior to 2007

     

    British Museum electrotypes of ancient coins were produced in quantity and distributed for educational use as well as for collectors. I have been unable to locate any history of the Anglo-Saxon electrotypes offered here. Some of these electrotypes are of images used for photographs of Anglo-Saxon coins in the Standard Catalog of British Coins, Part 1, first published in 1962 by Seaby’s Numismatic Publications. It is probable these actual pieces were photographed.

    Responsibility for the half-tone photographs in the volume as well as editorial responsibility for the Anglo-Saxon section (up to Edward II) fell on Frank Purvey, Seaby’s photographer and long-time director of the firm. Peter Seaby’s comments in the 1962 Coin and Medal Bulletin make no reference to the source for the coins photographed. Current practice for the Standard Catalog includes many pieces from important Spink auctions.

    Each of these electrotypes has been identified in one of the British Museum catalogs as well as in the “Standard Catalog” if the image actually made the cut when the reference was first published.

  3. Winning Losing Won Lost Watching Available in aftersale  
    A43, Lot 171:

    Electrotype of English hammered coinage. Ecgberht (Ecgbeorht) King of Wessex. 802-839. Penny electrotype (double-thick). 20 mm. DOROB C type. Ca 828-839. Canterbury (SSC Type III). The BMC piece is 1020 (Plate 43) in SCBI 67, British Museum Anglo-Saxon Coins II published in 2016. His diademmed head right, bust breaking inner circle. +ECGBEΛRTREX around between an inner and outer circle / Central monogram, "without doubt copied from the Karolus monogram on the coinage of Charles the Great" (Charlemagne). (BMC 1893 note, p xx). Probably for DOROB C (Dorobernia Civitas). +BOSEL TOHETV around (BOSEL MONETA). S. 1035. (Seaby/Spink Standard Catalog plate coin, 1962 to 2007) (SSC 1-15: 569B. SSC 16-41. 1035.) As made.

     

    Electrotypes of Anglo-Saxon coins in the British Museum

    Many used for the Standard Catalog prior to 2007

     

    British Museum electrotypes of ancient coins were produced in quantity and distributed for educational use as well as for collectors. I have been unable to locate any history of the Anglo-Saxon electrotypes offered here. Some of these electrotypes are of images used for photographs of Anglo-Saxon coins in the Standard Catalog of British Coins, Part 1, first published in 1962 by Seaby’s Numismatic Publications. It is probable these actual pieces were photographed.

    Responsibility for the half-tone photographs in the volume as well as editorial responsibility for the Anglo-Saxon section (up to Edward II) fell on Frank Purvey, Seaby’s photographer and long-time director of the firm. Peter Seaby’s comments in the 1962 Coin and Medal Bulletin make no reference to the source for the coins photographed. Current practice for the Standard Catalog includes many pieces from important Spink auctions.

    Each of these electrotypes has been identified in one of the British Museum catalogs as well as in the “Standard Catalog” if the image actually made the cut when the reference was first published.

  4. Winning Losing Won Lost Watching Available in aftersale  
    A43, Lot 172:

    Electrotype of English hammered coinage. Eadwig. 955-959. Penny electrotype (double-thick). 21 mm. BMC type ii, series B (without name of mint). The BMC piece is Wessex, Eadwig 14, p. 160. Plate XII(I: 1. BMC 1893. Small cross patée, +EΛDPIG REX I / Moneyer's name in two lines; ÆLFRED EXMOND divided by three crosses, an "M" in the field. S. 1122. (Seaby/Spink Standard Catalog plate coin, 1962 to 2007) (SSC 1-15: 643. SSC 16-41. 1122.) As made.

     

    Electrotypes of Anglo-Saxon coins in the British Museum

    Many used for the Standard Catalog prior to 2007

     

    British Museum electrotypes of ancient coins were produced in quantity and distributed for educational use as well as for collectors. I have been unable to locate any history of the Anglo-Saxon electrotypes offered here. Some of these electrotypes are of images used for photographs of Anglo-Saxon coins in the Standard Catalog of British Coins, Part 1, first published in 1962 by Seaby’s Numismatic Publications. It is probable these actual pieces were photographed.

    Responsibility for the half-tone photographs in the volume as well as editorial responsibility for the Anglo-Saxon section (up to Edward II) fell on Frank Purvey, Seaby’s photographer and long-time director of the firm. Peter Seaby’s comments in the 1962 Coin and Medal Bulletin make no reference to the source for the coins photographed. Current practice for the Standard Catalog includes many pieces from important Spink auctions.

    Each of these electrotypes has been identified in one of the British Museum catalogs as well as in the “Standard Catalog” if the image actually made the cut when the reference was first published.

  5. Winning Losing Won Lost Watching Available in aftersale  
    A43, Lot 173:

    Electrotype of English hammered coinage. Edward the Martyr (Eadweard II). 975-978. Penny electrotype (double-thick). 21 mm. BMC Type i. Canterbury. Æelfstan. Diademed bust right; +EΛDPEΛRD REX ΛNGLONX / Small central cross patée. ÆLFZTΛN M—O EÆNT around. S. 1142. (S. 662 in early editions, not photographed). BMC 1893: Eadweard II: 4 (page 193). Not plated. As made.

     

    Electrotypes of Anglo-Saxon coins in the British Museum

    Many used for the Standard Catalog prior to 2007

     

    British Museum electrotypes of ancient coins were produced in quantity and distributed for educational use as well as for collectors. I have been unable to locate any history of the Anglo-Saxon electrotypes offered here. Some of these electrotypes are of images used for photographs of Anglo-Saxon coins in the Standard Catalog of British Coins, Part 1, first published in 1962 by Seaby’s Numismatic Publications. It is probable these actual pieces were photographed.

    Responsibility for the half-tone photographs in the volume as well as editorial responsibility for the Anglo-Saxon section (up to Edward II) fell on Frank Purvey, Seaby’s photographer and long-time director of the firm. Peter Seaby’s comments in the 1962 Coin and Medal Bulletin make no reference to the source for the coins photographed. Current practice for the Standard Catalog includes many pieces from important Spink auctions.

    Each of these electrotypes has been identified in one of the British Museum catalogs as well as in the “Standard Catalog” if the image actually made the cut when the reference was first published.

  6. Winning Losing Won Lost Watching Available in aftersale  
    A43, Lot 174:

    Electrotype of English hammered coinage. Aethelred II. 978-1016. Penny electrotype (double-thick). 20 mm. BMC type ii var. d (BMC 1893: page 209:6). Aethelric, moneyer, Bath. His diademed bust right, scepter in front. +ÆDELRÆD REX ΛNGLONX around between an inner and outer circle / Hand of Providence descending from clouds, A and Ω on sides. ÆDELRIC M—O BΛDΛN around. S. 1146. (SSC 1962 to 1976: 665 type. As made; beautifully toned.

     

    Electrotypes of Anglo-Saxon coins in the British Museum

    Many used for the Standard Catalog prior to 2007

     

    British Museum electrotypes of ancient coins were produced in quantity and distributed for educational use as well as for collectors. I have been unable to locate any history of the Anglo-Saxon electrotypes offered here. Some of these electrotypes are of images used for photographs of Anglo-Saxon coins in the Standard Catalog of British Coins, Part 1, first published in 1962 by Seaby’s Numismatic Publications. It is probable these actual pieces were photographed.

    Responsibility for the half-tone photographs in the volume as well as editorial responsibility for the Anglo-Saxon section (up to Edward II) fell on Frank Purvey, Seaby’s photographer and long-time director of the firm. Peter Seaby’s comments in the 1962 Coin and Medal Bulletin make no reference to the source for the coins photographed. Current practice for the Standard Catalog includes many pieces from important Spink auctions.

    Each of these electrotypes has been identified in one of the British Museum catalogs as well as in the “Standard Catalog” if the image actually made the cut when the reference was first published.

  7. Winning Losing Won Lost Watching Available in aftersale  
    A43, Lot 175:

    Electrotype of English hammered coinage. Edward the Confessor (On a type of a Harold II PAX penny). 1042-1066. Penny electrotype (double-thick). 18.5 mm. BMC Type xvii. York. Snæborn, moneyer. His crowned bust right with scepter; +EΛDPΛRD REX around / PAX across the center; +SENEDBRN ON EOFR around. This coin type is not listed in any of the Standard Catalog editions nor in North. Both catalogs end with BMC xvi, the pyramids type. It is the only example of a type xvii in the 19th century BMC Anglo-Saxon catalogs. (BMC 1893: Edward the Confessor: 429. (Page 370) Plate XXIV: 14. As made. Oman (The Coinage of England. Oxford. 1931) commenting about the reason for the coin notes that "The only conceivable explanation is that this penny may be local and medallic—unlike all other coins of the reign. It may refer to the pacification of the North by Harold, acting as the king's minister and vice-regent in 1065....) Oman notes that the type is only known for York but in my copy of Oman, ex G V Doubleday (his signature), is a marginal notation indicating the type is also known for Norwich—also a northern mint.

     

    Electrotypes of Anglo-Saxon coins in the British Museum

    Many used for the Standard Catalog prior to 2007

     

    British Museum electrotypes of ancient coins were produced in quantity and distributed for educational use as well as for collectors. I have been unable to locate any history of the Anglo-Saxon electrotypes offered here. Some of these electrotypes are of images used for photographs of Anglo-Saxon coins in the Standard Catalog of British Coins, Part 1, first published in 1962 by Seaby’s Numismatic Publications. It is probable these actual pieces were photographed.

    Responsibility for the half-tone photographs in the volume as well as editorial responsibility for the Anglo-Saxon section (up to Edward II) fell on Frank Purvey, Seaby’s photographer and long-time director of the firm. Peter Seaby’s comments in the 1962 Coin and Medal Bulletin make no reference to the source for the coins photographed. Current practice for the Standard Catalog includes many pieces from important Spink auctions.

    Each of these electrotypes has been identified in one of the British Museum catalogs as well as in the “Standard Catalog” if the image actually made the cut when the reference was first published.

  8. Winning Losing Won Lost Watching Available in aftersale  
    A43, Lot 176:

    Electrotype of English hammered coinage. Edward the Confessor. 1042-1066. Penny electrotype (double-thick). 18 mm. BMC Type xv. Chester (Leigeceaster) mint; (Ælfsig? as per BMC). Diademed bust right with scepter; +EΛDPEΛRD REX / A voided short cross, a pyramid in each angle based on the inner circle. +ΛLXXI ON LEGEEE around. S. 1184. (S. 697 in early editions, not photographed). BMC 1893: Edward the Confessor: 661 (page 391) Not plated. As made; choice, unusual reverse legend.

     

    Electrotypes of Anglo-Saxon coins in the British Museum

    Many used for the Standard Catalog prior to 2007

     

    British Museum electrotypes of ancient coins were produced in quantity and distributed for educational use as well as for collectors. I have been unable to locate any history of the Anglo-Saxon electrotypes offered here. Some of these electrotypes are of images used for photographs of Anglo-Saxon coins in the Standard Catalog of British Coins, Part 1, first published in 1962 by Seaby’s Numismatic Publications. It is probable these actual pieces were photographed.

    Responsibility for the half-tone photographs in the volume as well as editorial responsibility for the Anglo-Saxon section (up to Edward II) fell on Frank Purvey, Seaby’s photographer and long-time director of the firm. Peter Seaby’s comments in the 1962 Coin and Medal Bulletin make no reference to the source for the coins photographed. Current practice for the Standard Catalog includes many pieces from important Spink auctions.

    Each of these electrotypes has been identified in one of the British Museum catalogs as well as in the “Standard Catalog” if the image actually made the cut when the reference was first published.

  9. Winning Losing Won Lost Watching Available in aftersale  
    Lifetime issue – Extremely Rare
    A43, Lot 222:

    SCOTLAND. David I. 1124-1153. AR penny (lifetime issue). 1.2 gm. 22 mm. Burns Class 2. SSC, Period C: "later civil war years to 1153 and David's death" Crowned bust right, the top of the crown with three fleurs, a scepter to right also with a fleur on top [+DAV]IT RE[X] / Cross fleury, a single pellet in each angle (the pellets distinguish this piece from coins of Henry, Earl of Northumberland and Huntingdon). S. 5007 var. Cf. Burns, Plate I: 9ff . Cf also the images in Lindsay (1845 engraving, line drawing): Pl. 1:9ff. Plate 1:5ff in Wingate(1868). Extremely Fine; fresh surfaces, substantial portrait with crown details, parts of the lettering apparent; Substantial amount of portrait clear; top edge chip; extremely rare.

    The Leland Scott Collection. Ex Davisson (2014) (Acquired from an advanced American collector in 2013 with notation that it came from James Herbert Daniels, 1864-1936).

    Reflecting the Anarchy and the civil war in England, this piece is one of the early issues Burns describes, among other terms, as "blundered." The same is true of the line drawing images in two major 19th century references on Scottish coins, Lindsay and Wingate. Burns refers to these in his discussion of the beginning of Scottish coins assigning some of them to Roxburgh. Cochran-Patrick in Records of the Coinage of Scotland (1876) places this type just before David I. The Spink, Coins of Scotland… reference provides a four-date timeline for David I pennies that places this issue as late lifetime. The design is very similar to the issue for Prince Henry, Earl of Northumberland (1139-1152), S. 5012.

  10. Winning Losing Won Lost Watching Available in aftersale  
    Among the best for this rare date
    A43, Lot 237:

    SCOTLAND. Mary Stuart. 1542-1567. AR testoon. 6.09 gm. 28.5 mm. Third period, 1560-1565. First widowhood. 1562 Scarcest date). Her bust left in contemporary costume; MARIA DEI GRA SCOTORVM REGINA around, 1562 in tablet below / Crowned arms of France and Scotland, crowned M to either side; SALVVM FAC POPVLVM TVVM DOMINE. S. 5422. SCBI 35 1113. Burns II: p 333:4. pl lxiv:899. Extremely Fine; well struck and beautifully toned, small area of light scratches in front of face.

    The Leland Scott Collection. A rare date; purchased privately by the cataloger from Spink earlier this century with a notation that only 20 or so are known of this date and this is among the top third in terms of condition; judging from the few photographs available for this piece--museum collections and examples sold at auction over the past couple of decades--this piece does rank as among the best; even the Burns 1562 piece has weak facial details and the SCBI examples are more worn, three of them significantly so. The well-detailed strike on this piece is superior to that shown on the Murdoch example as well.

    The last sale for which I can find a record of a high grade 1562 piece is a January 2012 sale at the New York International Coin Fair where the Baldwin's/Markov/M&M auction sold an example for $27,500 plus commission. That piece, while well centered and generally well struck lacks all eye detail and has several pronounced digs in the obverse field. (I recall viewing the coin at that time. AD).

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